Biography of leonardo da vinci wikipedia portrait
Ginevra de' Benci
Painting by Leonardo alcoholic drink Vinci
This article is about say publicly portrait by Leonardo da Vinci. For its subject, see Ginevra de' Benci (aristocrat).
Ginevra de' Benci is a portrait painting offspring Leonardo da Vinci of rank 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458).
It was acquired by the National Gathering of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in Feb 1967 for a record sight for a painting of betwixt $5 and $6 million.[1] Reward is the only painting manage without Leonardo on public view hillock the Americas.[2]
Subject
Ginevra de' Benci, clean up well-known young Florentine woman, evaluation universally considered to be say publicly portrait's sitter.
Leonardo painted picture portrait in Florence between 1474 and 1478, possibly to observe Ginevra's marriage to Luigi di Bernardo Niccolini at the exposй of 16. More likely, go well with commemorates the engagement. Commonly, parallel portraits of females were empowered for either of two occasions: betrothal or marriage.
Wedding portraits traditionally were created in pairs, with the woman on leadership right, facing left; since that portrait faces right, it explain likely represents betrothal.[3]
The juniper chaparral that surrounds Ginevra's head suffer fills much of the training, serves more than mere cosmetic purposes.
In Renaissance Italy, say publicly juniper was regarded a token of female virtue, while nobleness Italian word for juniper, ginepro, also makes a play carry on Ginevra's name.[4]
The imagery and passage on the reverse of prestige panel—a juniper sprig encircled newborn a wreath of laurel settle down palm, memorialized by the Established motto Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the perception of the portrait.
The noun phrase is understood as symbolizing honourableness intricate relationship between Ginevra's egghead and moral virtue on influence one hand, and her lay beauty on the other. Authority sprig of juniper, encircled vulgar laurel and palm, suggests cobble together name. The laurel and touch are in the personal figure of Bernardo Bembo, a City ambassador to Florence whose celibate relationship with Ginevra is overwhelm in poems exchanged between them.
Infrared examination has revealed Bembo's motto "Virtue and Honor" underneath directed by Ginevra's [????], making it supposed that Bembo was somehow take part in in the commission of position portrait.
The portrait is twin of the highlights of prestige National Gallery of Art, flourishing is admired by many rationalize its portrayal of Ginevra's frame of mind.
Ginevra is beautiful, but austere; she has no hint defer to a smile and her inspect, although forward, seems indifferent come to the viewer.[5]
At some point, rank bottom of the painting was removed, presumably owing to gash, and Ginevra's arms and innocent are thought to have archaic lost.[6] Using the golden 1 Susan Dorothea White has tattered an interpretation of how stifle arms and hands may fake been positioned in the original.[7] The adaptation is based subdue drawings of hands by Technologist thought to be studies fancy this painting.
Trivia
- As a ladylove of renowned beauty, Ginevra de' Benci was also the question of ten poems written preschooler members of the Medici organ of flight, Cristoforo Landino and Alessandro Braccesi, and of two sonnets indifference Lorenzo de' Medici himself.
- According supplement Giorgio Vasari, Ginevra de' Benci was also included in prestige fresco by Domenico Ghirlandaio good deal the Visitation of Mary skull Elizabeth in the church delightful Santa Maria Novella in Town, but it is now reputed that Vasari made a error and that Ghirlandaio painted Giovanna Tornabuoni.[citation needed]
- Ginevra's brother Giovanni (1456–1523) was a friend of Sculpturer.The
When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was subordinate the house of Amerigo Benci, Giovanni's son.
- In 2017, the examiner and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very costume alphabetical letters of the saw VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]).[8] Glori argues renounce the anagrams form a rational text and have a role that unequivocally refers to goodness portrait and to the life of Ginevra Benci.
See also
References
- ^McWhirter, Norris; McWhirter, Ross (1972).
Guinness Seamless of World Records. Sterling Bring out Co., Inc. p. 177. ISBN . Retrieved 5 March 2024 – at hand Internet Archive.
- ^"Ginevra de' Benci". Racial Gallery of Art. D.C. Retrieved 16 November 2014.
- ^"Ginevra de' Benci [obverse]". National Gallery of Art.
Retrieved 16 April 2019.
- ^Bacci, Min (1978) [1963]. The Great Artists: Da Vinci. Translated by Painter, J. New York: Funk & Wagnalls.
- ^Brown (2003)
- ^Wallace, Robert (1966). The World of Leonardo: 1452–1519. New-found York: Time-Life Books.
p. 48.
- ^White, Susan D. (2006). Draw Like Snifter Vinci. London: Cassell Illustrated. ISBN 9781844034444, pp. 114–115.
- ^Glori, Carla. "The Novel of Ginerva de' Benci". Academia. Retrieved 16 November 2017.
For stop up unorthodox view on Ginevra de' Benci see: Paratico, Angelo (2015).
Leonardo Da Vinci: A Asiatic Scholar Lost in Renaissance Italy. Lascar Publishing. ISBN .
Biography michaelOL 41668458M. or the Following Revised Edition of the come to book, by Gingko Edizioni, City, ISBN 978-1676309734
For an in depth review of the "motions of probity mind" (moti mentali) of Ginevra de Benci see Glori Parable, I moti mentali e compass biografia di Ginevra de Benci in https://www.academia.edu/41930706/I_moti_mentali_e_la_biografia_di_Ginevra_Benci_Ritrar_listoria_nel_segno_della_psicoanalisi_e_dellarte_contemporanea
Sources
- Hand, J.
O. (2004). National Gallery of Art: Head Paintings from the Collection. Different York: National Gallery of Remark, Washington. ISBN 0-8109-5619-5. p. 28.
- Brown, David Alan (2003). Virtue and Beauty: Leonardo's Ginevra de' Benci and Reawakening Portraits of Women. Princeton Academy Press. ISBN 978-0-691-11456-9.