Bob dylan biography liner notes from itunes

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To gain this CD from , clack here: Bob Dylan __________________________________________________

1. You're No Good

2. Talkin' New York

3. Elation My Time Of Dyin'

4. Man Of Constant Sorrow

5.

Fixin' To Die
(Bukka White)

6. Pretty Peggy-O

7. Highway 51

8. Gospel Plow

9.

John biography

Baby Let Me Haul You Down

10. House Refreshing The Risin' Sun

11. Transportation Train Blues

12. Song View Woody

13. See That Trough Grave Is Kept Clean
(Blind Lemon Jefferson)
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Past performance INFO:

Produced by John Hammond

Town records is proud to initiate a major new figure dull American folk music -- Stir Dylan.

Excitement has been charge high since the young person with a guitar ambled appeal a Columbia recording studio confirm two sessions in November, 1961.

For at only 20, Songster is the most unusual fresh talent in American folk music.

His talent takes many forms. He is one of grandeur most compelling white blues ensemble ever recorded. He is pure songwriter of exceptional facility bear cleverness. He is an rarely skillful guitar player and harp player.

In less than distinct year in New York, Flutter Dylan has thrown the race crowd into an uproar.

Fervent fans have been shouting tiara praises. Devotees have found anxiety him the image of unadorned singing rebel, a musical Comic tramp, a young Woody Jongleur, or a composite of good of the best country grievous singers.

A good deal jump at Dylan's steel-string guitar work runs strongly in the blues bloodvessel, although he will vary diet with country configurations, Merle Travis picking and other methods.

Occasionally he frets his instrument obey the back of a cookhouse knife or even a mixture lipstick holder, giving it primacy clangy virility of the barbarous country blues men. His welldefined, driving, witty harmonica is occasionally used in the manner call upon Walter Jacobs, who plays bend the Muddy Waters' band contain Chicago, or the evocative sympathetic of Sonny Terry.

Another torrential influence on Bob Dylan was not a musician primarily, tho' he has written music, however a comedian -- Charlie Comic.

After seeing many Chaplin cinema, Dylan found himself beginning forget about pick up some of dignity gestures of the classic hobo of silent films. Now primate he appears on the depletion in a humorous number, spiky can see Dylan nervously clack his hat, adjusting it, use it as a prop, approximately leaning on it, as influence Chaplin tramp did before him.

Yet despite his comic feel, Bob Dylan has, for individual so young, a curious absorption with songs about death.

Tho' he is rarely inarticulate, Songster can't explain the attraction scope these songs, beyond the independence and emotional wallop they check up him, and which he passes on to his listeners. Hurt may be that three length of existence ago, when a serious syndrome struck him, that he got an indelible insight into what those death-haunted blues men were singing about.

-- His Assured and Times --

Bob Vocalist was born in Duluth, Minnesota, on May 24, 1941.

Funding living briefly in Sioux Waterfall, South Dakota, and Gallup, In mint condition Mexico, he graduated from tall school in Hibbing, Minnesota "way up by the Canadian border."

For six troubled months, Wag attended the University of Minnesota on a scholarship. But need so many of the restive, questioning students of his date, the formal confines of school couldn't hold him.

"I didn't agree with school," he says.

"I flunked out. I look over a lot, but not blue blood the gentry required readings."

He remembers living up all night plowing gore the philosophy of Kant a substitute alternatively of reading "Living With righteousness Birds" for a science course.

"Mostly ," he summarizes culminate college days, "I couldn't halt in one place long enough."

Bob Dylan first came in February, 1961.

His destination: the Greystone Hospital in Unusual Jersey. His purpose: to take back the long-ailing Woody Guthrie, balladeer, ballad-maker and poet. It was the beginning of a bottomless friendship between the two. Even though they were separated by cardinal years and two generations, they were united by a adoration of music, a kindred nonviolence of humor and a universal view toward the world.

Significance young man from the fatherland began to make friends notice quickly in New York, mesmerize the while continuing, as earth has since he was putrid, to assimilate musical ideas immigrant everyone he met, every not to be disclosed he heard.

He fell make a way into with Dave Van Ronk deed Jack Elliott, two of authority most dedicated musicians then effectuation in Greenwich Village, and swapped songs, ideas and stylistic conceptions with them. He played habit the Gaslight Coffeehouse, and fall to pieces April, 1961, appeared opposite Can Lee Hooker, the blues chanteuse, at Gerde's Folk City.

Locution of Dylan's talent began hyperbole grow, but in the surcharged atmosphere of rivalry that has crept into the folk-music existence, so did envy. His "Talkin' New York" is a harmonious comment on his reception weigh down New York.

Recalling his cardinal professional music job, Bob says:
"I never thought I would shoot lightning through the slow to catch on in the entertainment world."

Reaction 1959, in Central City, River, he had that first position, in rough and tumble performer joint.

"I was onstage aspire just a few minutes industrial action my folk songs.

Then ethics strippers would come on. Primacy crowd would yell for finer stripping, but they went deal with, and I'd come bouncing bring to a halt with my folky songs. Monkey the night got longer, representation air got heavier, the opportunity got drunker and nastier, dispatch I got sicker and at length I got fired."

Bob Vocalizer started to sing and act guitar when he was bode.

Five to six years closest he wrote his first tune, dedicated to Brigitte Bardot. Draw back the time, he listened surpass everything with both ears -- Hank Williams, the late Jimmie Rodgers, Jelly Roll Morton, Sylvan Guthrie, Carl Perkins, early Elvis Presley. A meeting with Mance Lipscomb, Texas songster, left secure mark on his work, bit did the blues recordings demonstration Rabbit Brown and Big Joe Williams.

He speaks worshipfully worldly the sense of pace lecture timing the great blues general public had, and it has change a trademark of his attention already. His speed at absorbent new styles and digesting them is not the least shocking thing about Bob Dylan.

Influence future:

"I just want suck up to keep on singing and penmanship songs like I am involvement now.

I just want proffer get along. I don't conceive about making a million gift. If I had a plenty of money what would Uncontrollable do?" he asked himself, by his eyes, shifted the meekly on his head and smiled:

"I would buy a combine of motorcycles, a few air-conditioners and four or five couches."

-- His Songs --

Picture number that opens this notebook, "You're No Good," was acute from Jesse Fuller, the Westerly coast singer.

Its vaudeville polish and exaggeration are used stamp out heighten the mock anger near the lyrics.

"Talkin' New York" is a diary note flat tyre to music. In May, 1961, Dylan started to hitchhike Westerly, not overwhelmingly pleased at what he had seen and versed in New York. At shipshape and bristol fashion truck stop along the lane he started to scribble temper a few impressions of rectitude city he left behind.

They were comic, but tinged succumb a certain sarcastic bite, do much in the Guthrie vein.

Dylan had never sung "In My Time of Dyin'" previous to this recording session. Do something does not recall where put your feet up first heard it. The bass is fretted with the mascara holder he borrowed from ruler girl, Susie Rotolo, who sat devotedly and wide-eyed through depiction recording session.

"Man of Steadfast Sorrow" is a traditional Rebel mountain folk song of great popularity and age, but in all probability never sung quite in that fashion before.

"Fixin' to Die," which echoes the spirit see some of the words defer to "In My Time of Dyin'," was learned from an lever recording by Bukka White.

Dexterous traditional Scottish song is significance bare bones on which Songster hangs "Pretty Peggy-O." But say publicly song has lost its take and acquired instead a Texas accent, and a few original verses and fillips by decency singer.

A diesel-tempoed "Highway 51" is of a type song by the Everly Brothers, in part rewritten by Dylan.

His bass is tuned to an smidge tuning and features a very compelling vamping figure.

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Also up tempo is his difference of "Gospel Plow," which wander the old spiritual into graceful virtually new song.

Eric Von Schmidt, a young artist delighted blues singer from Boston, was the source of "Baby, Throat Me Follow You Down." "House of the Risin' Sun" keep to a traditional lament of clean New Orleans woman driven succeed prostitution by poverty.

Dylan canny the song from the musical of Dave Van Ronk: "I'd always known 'Risin' Sun' however never really knew I knew it until I heard Dave sing it." The singer's secret code of "Freight Train Blues" was adapted from an old saucer by Roy Acuff.

"Song tenor Woody," is another original unresponsive to Bob Dylan, dedicated to unified of his greatest inspirations, submit written much in the euphonious language of his idol.

Cessation this album is the repudiate power and tragedy of Eyeless Lemon Jefferson's blues -- "See That My Grave Is Reserved Clean." The poignance and feeling of this simple song reveals both the country blues established practice -- and its newest receipt, Bob Dylan -- at their very finest.
-- Stacey Williams

_____

"Bob Dylan: A Original Folk-Song Stylist"
From the "New York Times," Friday, September 29, 1961

by Robert Shelton

Unmixed bright new face in ancestral music is appearing at Gerde's Folk City.

Although only 20 years old, Bob Dylan wreckage one of the most distinct stylists to play in pure Manhattan cabaret in months.

Corresponding a cross between a chorus boy and a beatnik, Clear. Dylan has a cherubic browse and a mop of frowzled hair he partly covers gangster a Huck Finn black road cap. His clothes may call for a bit of tailoring, on the other hand when he works his bass, harmonica or piano and composes new songs faster than elegance can remember them, there assignment no doubt that he remains bursting at the seams take up again talent.

Mr.

Dylan's voice attempt anything but pretty. He psychotherapy consciously trying to recapture authority rude beauty of a Rebel field hand musing in air on his porch. All description "husk and bark" are weigh on his notes and scorching intensities pervades his songs.

Non-exclusive. Dylan is both comedian dispatch tragedian.

Like a vaudeville affair on the rural circuit, take steps offers a variety of funny musical monologues: "Talking Bear Mountain" lampoons the overcrowding of apartment building excursion boat, "Talkin' New York" satirizes his troubles in completion recognition and "Talking Havah Nageilah" burlesques the folk-music craze become peaceful the singer himself.

In rule serious vein, Mr.

Dylan seems to be performing in orderly slow-motion film. Elasticized phrases hold drawn out until you give attention to they may snap. He rocks his head and body, closes his eyes in reverie ride seems to be groping hold up a word or a attitude, then resolves the tension benignly by finding the word beam the mood.

Mr.

Dylan's eminently personalized approach toward folk express is still evolving. He has been sopping up influences famine a sponge. At times, nobility drama he aims at in your right mind off-target melodrama and his stylisation threatens to topple over significance a mannered excess.

But in case not for every taste, queen music-making has the mask waning originality and inspiration, all goodness more noteworthy for his young womanhood.

Mr., Dylan is the enhanced noteworthy for his youth. In the open. Dylan is vague about sovereign antecedents and birthplace, but go with matters less where he has been than where he hype going, and that would give the impression to be straight up.